Within this sculptural installation work, I wanted to create a hybrid of forms. The process often starts with the aim of making intangible bodily processes tangible. Here, a fusion is made between the inner world and the public outer world, resulting in a new world. Using an internally automated method of creation, the sculptures often inherit elements from their immediate environment.
But also their placement in space, the use of translucent and reflective materials and the manipulation of light, emphasizes the symbiotic relationship between the forms and their external environment. With this, opposites merge rather than dualize. I call this hybrid. As a result, the work cannot be defined as human, machine, animal or living being. Yet it is human-like, mechanical, animal-like and incites the imagination of organic beings and processes.